6,000 Royalty-Free Audio Tracks for "Midi Guitar"

Octave on C. 1/2: 1200 cents.

A12 tuning (12 steps to the perfect twelfth) on C.

Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Thirteenth chord CMI7(add13). Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Tonic thirteenth chord on F. Created by Hyacinth (talk) 22:14, 1 July 2009 using Sibelius 5.

Seventh augmented eleventh chord on C.

My Thoughts, 1930 Australian Aboriginal spiritual by Tom Foster (1870–1940), Tharawal Australian Aboriginal with sample drum beat – all rights waived

Thirteenth chord C13(b9). Created by Hyacinth (talk) 19:39, 4 July 2009 using Sibelius 5.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Thirteenth chord C13. Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Ninth flat five chord on C. Created by Hyacinth (talk) 12:26, 29 May 2011 (UTC) using Sibelius 5.

Thirteenth chord based on minor triad. Created by Hyacinth (talk) 13:43, 7 July 2009 using Sibelius 5.

Minor eleventh chord on C. Created by Hyacinth (talk) 15:25, 27 July 2008 in Sibelius.

Thirteenth chord with flat ninth. Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.

Thirteenth chord CMA13. Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Dominant seventh flat nine chord on C. Created by Hyacinth (talk) 17:06, 10 July 2008 using Sibelius.

Singt nun alle, singt mit uns, ihr Leute (Evang. Gesangbuch Bayern/Thüringen 549)

*Pi on C. π = 3.14159 = 1981.79 (octave and 781.79 cents) cents. MIDI pitch bend: 79,59

*Wallis product (pi/2) on C. π/2 = 781.79 cents. MIDI pitch bend: 22,90 on P5

Il est né le divin enfant

Thirteenth chord CMI13. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Thirteenth chord C13b9. Bass note: C or alternatively G. Created by Hyacinth (talk) 01:33, 6 July 2009 using Sibelius 5.

Thirteenth chord CMA7(add13). Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Ninth chord on C: CEGBD.

Major seventh sharp eleventh chord on C. Created by Hyacinth (talk) 17:56, 4 July 2011 (UTC) using Sibelius 5.

Thirteenth chord C13sus. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Octaves marked lowest octave. Created by Hyacinth (talk) 07:51, 3 January 2012 (UTC) using Sibelius 5.

Jetzt fangen wir zum Singen an

Thirteenth chord C13(sharp11). Created by Hyacinth (talk) 19:37, 4 July 2009 using Sibelius 5.

Thirteenth chord Cm13(+11). Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.

Seventh sharp nine chord on C. Created using Sibelius.

Thirteenth Polychord - Separate chords within an extended chord.

Perfect octave on D-sharp, as MIDI.

VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self

Пример звучания GuitarTabulatureSample1.svg

A tapping melody played on an electric guitar. Une mélodie jouée en tapping sur une guitare électrique.

R8 Les Paul, slow shuffle

I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

C triad open position.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of double whole notes. =60.

Jephte - Plorate filii Israel

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 128th notes. =60.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

日本語: ビゼー作曲「カルメン」第2幕の「カンツォネッタ」の一部 Part of Georges Bizet's Carmen

Andachtsjodler

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of half notes. =60.

Richard Wagner, Kaisermarsch, Schlussgesang